Colour profiles
Keep your own colour profiles with the day they were measured and who measured them, beside the ones PostPress publishes. Not yet applied to a job.
What it does
Studio keeps colour profiles for your press models: an ICC profile or a set of ink curves. There are two sources, and Studio shows where each came from.
- Your shop's own, added by you with the day it was measured and who measured it.
- PostPress's library, which we publish for every shop.
For a press model and media, Studio chooses one profile. Your shop's own beats the library's, however old. Within one source, the newest measuring day wins, and a profile put away is never chosen. Each row shows the measuring day, who measured it, and, where it was measured, the ΔE 2000 against the chart. Where nobody measured a figure, it says so: it never makes one up.
Why it matters for your shop
- Your measurements win. A profile you measured on your press and your vinyl is the one used, not ours.
- You can see where it came from. Each profile says its source, its measuring day and its difference from the chart.
- Nothing is deleted. A better profile is a new row; an old one is put away.
Built, not yet applied
Colour profiles are built: you can add them, and Studio chooses and shows one. They are not yet applied. The chosen profile is not handed to the RIP or applied to a job. That waits for Studio's own RIP, and until then the ICC profile your RIP uses is the one set in your RIP.
How to use it
- Open Presses. Under the presets is a section headed Colour profiles, with a heading for each press model. Fetch profiles again asks the library once more.
- Press Add your profile and give the file, the media, the day it was measured and who measured it.
- Read the chosen profile and the ones Not chosen, each with where it came from.